Tag: Public broadcasting
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Older Women Disappear From BBC Presenting Roles, Review Finds
Overview of the Findings An internal BBC review has drawn attention to a measurable shift in on-screen representation: older women are increasingly absent from presenting roles, while older men are perceived as gaining gravitas and wisdom. The review examines hiring, casting, and succession patterns across BBC programming, highlighting what it describes as a persistent mismatch…
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RTÉ Unveils New Year Schedule: Familiar Favorites and Fresh Documentaries Ahead
RTÉ has announced its highly anticipated new year schedule, blending beloved favourites with a slate of fresh documentaries that promise new perspectives on Irish life. The lineup signals a confident mix of long-running hits and investigative storytelling designed to captivate audiences across the island and beyond. Here’s what viewers can expect as the year begins.…
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RTÉ Announces New Year Schedule With Familiar Favourites and New Documentaries
RTÉ Unveils Its New Year Schedule RTÉ has released its much-anticipated schedule for the start of the new year, pairing cherished favourites with intriguing new documentary projects. The lineup promises something for every viewer, from loyal fans to curious newcomers, with a clear emphasis on in-depth storytelling and immersive access to real-life events. Returning Favourites…
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BBC in its happiest place: reporting on and analysing itself
The self‑reflexive BBC: reporting on its own output The BBC has long been a watchdog of public life, but there’s a curious paradox at the heart of its operation: the broadcaster that scrutinizes the world often looks most comfortable when scrutinizing itself. The press corps that covers politics, culture, and science sits at the center…
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BBC in Its Happiest Place: Self-Reporting and Analysis
Introduction: When a Broadcaster Turns the Lens Inward There’s a peculiar, almost theatrical moment in public media when a major broadcaster starts reporting on itself. The BBC, with its long history of public service journalism, has not only navigated the challenges of being watched by millions but has, in recent discourse, cultivated a niche: reporting…
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BBC in its happiest place: self-reporting and analysis
Introduction: the BBC reporting on itself In media circles, the phrase ying out the newsroome9s rarely signals a breakthrough. Yet the BBC, renowned for its public-service remit, occasionally appears to reach its own version of a happiest place: reporting on itself. This isn’t vanity so much as a strategy. A public broadcaster with a long…
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Pat Vincent: When National Broadcasters Weren’t Waning in Authority
Introduction: The Golden Era of Public Broadcasting There was a period when national broadcasters soared with a distinct sense of duty. The BBC and RTÉ, funded by the public purse, carried not just the duty to inform but a responsibility to uphold democratic norms, provide balanced reporting, and serve as a common reference point for…
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Farage Eyes Reform: Could a Licence-Fee Shake-Up Strip the BBC of Public Funding?
Reform UK’s Bold Proposal: Scrapping the BBC Licence Fee In a move that could redefine public broadcasting funding, Reform UK leader Nigel Farage has proposed altering the law to remove the BBC’s long-standing licence fee from the national budget. Farage described the current funding model as “completely unacceptable,” arguing that it ties citizens to a…
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PAT VINCENT: BBC and RTÉ were not always this bad
Public Service, Public Trust There was a time when public broadcasters carried a certain gravitas. The BBC and RTÉ (and other state-funded outlets in the British Isles) were trusted to inform, educate, and entertain with a sense of responsibility that came with a fragile social contract: the press as a public good, paid for by…
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Play for Today Returns: A Revival Aims to Save British TV from a Class Crisis
Introduction: A National Institution Returns Play for Today, the late-20th-century beacon of British television, is back on our screens this week after a four-decade hiatus. Originally broadcast on the BBC from 1970 to 1984, the series was a one-off film strand that captured the nation’s mood—shifting from intimate dramas to urgent social critiques. The revival…