Tag: Digital Media
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Stereogum Soldiers On in the Era of Streaming and AI
Introduction: A Long-Standing Voice in Indie Rock Since its quirky launch on January 1, 2002, Stereogum has survived the shifting tides of the music industry—from the blog heyday to the streaming era. Born in the early days of file-sharing and DIY criticism, the site became a reliable home for indie rock fans seeking thoughtful reviews,…
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Who Writes about Africa: The Definitive Answer
Unpacking the question When people ask, “Who writes about Africa?” they’re really probing the ecosystem behind online knowledge. A well-worn statistic—often cited by tech and policy analysts—suggests that a small share of online content about Africa comes from local voices. The figure, typically framed as 6-8%, hints at underrepresentation, but the story is more nuanced.…
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VR Is Dead in 2025? A Reality Check for Virtual Reality
Is Virtual Reality Really Dead in 2025? Let’s start with a blunt assessment: virtual reality, the technology many hoped would reinvent entertainment, work, and training, isn’t thriving as proponents once imagined. In 2025, the headlines hint at revolution, but typical users tell a different story: novelty wears off, hardware remains expensive, and compelling software has…
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Apple Ad-Free TV Stands Firm as Pause Ads Grow in Streaming
Apple’s Clear Stance on Ad-Free TV+ Apple has reiterated a simple, enduring strategy for Apple TV+: no ad-supported tier and no intrusive advertising interrupts. While many streaming platforms experiment with different ad models to boost revenue, Apple remains committed to a clean, uninterrupted viewing experience. This stance aligns with the company’s broader emphasis on user…
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Apple TV+ Chief Eddy Cue Says No to Ad-Supported Plans
Apple TV+ Chief Eddy Cue Rules Out Ad-Supported Tier In a candid statement about Apple’s streaming strategy, Eddy Cue, the head of Apple Services, dispelled rumors of an ad-supported tier for Apple TV+. The comments come as subscriptions in the streaming market tighten and rivals experiment with cheaper options that subsidize costs with advertising. Cue’s…
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AI Studio Obsidian Launches With Imagine Entertainment Partnership
What AI Studio Obsidian Is Delivering AI Studio Obsidian is launching with a clear mission: to blend advanced artificial intelligence with practical creative workflows. The startup positions itself as more than a tool provider—it’s a platform designed to empower artists, writers, designers, and multimedia creators to push the boundaries of what’s possible. By partnering with…
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Disney Channels Leave YouTube TV? How to Keep Watching College Football
Overview: Disney channels pulled from YouTube TV In a recent development, YouTube TV viewers lost access to Disney-owned networks such as ABC and ESPN after the companies failed to reach a new distribution agreement. The move affects local ABC affiliates (like WFAA) and the college football schedule many fans rely on on Saturdays. With the…
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Twitch: From Live Stream to Mainstream
Introduction: A Platform That Began as a Niche Twitch started life as a spin-off of Justin.tv in 2011, riding a wave of gaming enthusiasm that quickly eclipsed other content on the site. What began as a focused hub for live gameplay soon demonstrated a much larger potential: live interaction, real-time communities, and a dynamic creator…
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OpenAI expands Sora with paid higher daily video generation limits
OpenAI expands Sora with a paid option for more AI video generations OpenAI is adding a new revenue stream to its Sora platform by allowing users to pay for a higher daily limit on AI video generations. The move comes as the company looks to balance free access with monetization, letting enthusiasts who need more…
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Behind the $425 Million Bet: Steven Bartlett’s Disney-for-Creators Vision
Introduction: A Bold Bet on the Creator Economy In a landscape where social media platforms rise and mutate overnight, Steven Bartlett is betting big on a different kind of empire. The Diary of a CEO founder has signaled a $425 million investment toward building what he envisions as a “Disney for creators.” The aim: to…