Categories: Arts & Culture

Don McGlashan on Why He Might Not Be the ‘Colorful’ Subject for a Doco

Don McGlashan on Why He Might Not Be the ‘Colorful’ Subject for a Doco

New Zealand musician Don McGlashan opens up about a documentary premise

Renowned New Zealand songwriter and composer Don McGlashan has candidly reflected on a documentary project that would explore his life and work. Speaking to RNZ’s On the Air, he acknowledged a paradox at the heart of the project: the more a person is described as a “colorful specimen,” the more compelling the narrative often feels to audiences. McGlashan quips, “I do feel that I’m not kind of a colourful enough specimen to go under the microscope, there’s other specimens out there that might be more interesting to look at.”

The comment, while self-deprecating, highlights a common tension in biographical storytelling: how to present a figure whose quiet influence has shaped a country’s cultural soundscape without resorting to melodrama or spectacle. McGlashan’s work—ranging from the iconic songs of The Mutton Birds to orchestral scores for theatre—spans experimentation, craftsmanship, and a distinctive New Zealand voice. The idea of a doco focusing on a “colorful specimen” might promise vivid anecdotes, rare performances, and intimate interviews, but that tone isn’t the only path to engaging audiences.

The debate: what makes compelling documentary storytelling?

Documentary directors often chase dramatic arcs: rise to fame, personal turmoil, or a watershed moment. Yet many viewers are drawn to quieter, well-lit portraits of artists who let their art speak for itself. Don McGlashan’s contributions to music and theatre demonstrate a subtler form of charisma—one rooted in precision, lyricism, and a consistent thread of unmistakable NZ musical identity. The discussion around his potential doco raises broader questions about how to frame a life whose most powerful content is often found in studio sessions, rehearsals, and collaborative moments rather than sensational revelations.

What McGlashan’s career represents

From composing the evocative “Don’t Dream It’s Over” to creating the scores that underpin New Zealand stage productions, McGlashan embodies enduring craft. His career reflects a willingness to experiment, whether through quirky arrangements, intricate harmonies, or cross-genre collaborations. This kind of artistry can translate into a documentary that emphasizes the process—songwriting workshops, studio improvisations, and the evolution of a single melody—over a single dramatic incident.

Why audience interest may still be high

Audiences often look for a sense of place, especially when a musician has helped shape the cultural soundscape of a country. McGlashan’s work is inseparable from New Zealand’s musical memory: the late-90s and early-2000s era, the evolution of the indie and folk scenes, and the way theatre music intersected with contemporary life. A doco could explore these contexts, offering viewers a layered portrait of an artist who operates with restraint but leaves an indelible imprint on listeners and theatre-goers alike.

Potential angles for the project

– A studio-centered narrative, tracing the creation of a signature song from initial ideas to final production.

– A collaborative lens, featuring conversations with fellow musicians, theatre directors, and performers who worked with McGlashan over the years.

– Live performance footage that captures the nuance of his arrangements and the emotional resonance of his melodies.

What keeps Don McGlashan motivated today

In discussions around the documentary, McGlashan has shown a reflective approach to his career. His ongoing interest in new projects, collaborations, and the continued relevance of his past work suggests that a documentary could still be compelling without relying on sensational storytelling. For fans and newcomers alike, the value lies in the chance to observe an accomplished artist walk through the corridors of his own artistic practice, revealing how a quiet, precise craft can influence a broad spectrum of music and theatre.

Conclusion: the documentary question remains open

While Don McGlashan may not see himself as the most flamboyant subject for a documentary, the potential project underscores a larger truth: great art often travels through unflashy corridors before reaching broad appreciation. If a doco moves beyond glamour and presents a thoughtful, insider’s view of his creative process, it could resonate deeply with audiences who admire the craft behind the music and theatre that define New Zealand’s cultural landscape.