Categories: Food & Dining

WaPo’s New Food Critic Sets His Own Rules: A Lunch at the Church Cafeteria

WaPo’s New Food Critic Sets His Own Rules: A Lunch at the Church Cafeteria

Introduction: A Fresh Voice, A Fresh Approach

The Washington Post has welcomed a new food critic who is making headlines not for the dishes alone but for the way he approaches them. Elazar Sontag, the paper’s latest kitchen compass, has already signaled a break with traditional dining rituals. Rather than chasing exclusive reservations or the hottest new spots, he is testing a different path—one that centers accessibility, context, and the everyday experience of a meal. His first lunch with NPR staff offers a revealing glimpse into the rules he intends to set for judging food in a city that loves its food writing as much as its neighborhoods.

Redefining Power Dining: A Humble Setting as Stage

Sontag did not lead NPR to a glamorous table at a high-end restaurant. Instead, he guided the conversation to a place emblematic of democratic dining: a church cafeteria tucked behind a parking lot near Mt. Vernon Square. The choice is symbolic. Cafeterias are places where a broad spectrum of people share the same space, plates arrive from a common kitchen, and the rhythm of service is dictated by pragmatic realities rather than press clout. In this setting, Sontag suggests, the real pulse of food is in the quality of the everyday meal, not the prestige of the venue.

Rules, Not Rascals: How Sontag Frames Evaluation

From NPR’s coverage, it’s clear that Sontag is less interested in chasing “the correct answer” about a dish and more interested in the experience surrounding it. He asks simpler questions that many overlooked in snootier circles: How does the space affect the food? How do the people working behind the scenes contribute to the final plate? What does a meal say about a city’s character? By reframing the inquiry, Sontag’s critics’ notes aim to be more reflective of the city’s demographics, its economic realities, and the social texture that informs every bite.

An Invitation to Accessibility: Food as a Shared Experience

The choice of a church cafeteria is not accidental. It speaks to a broader ambition: to make food criticism less about either exclusivity or spectacle and more about the shared human experience of eating. In practical terms, this means:
– Paying attention to value and portion alignment with price.
– Listening to servers and cooks who usually aren’t the focus of glossy restaurant features.
– Recognizing the role of community spaces in shaping what a city eats, when it eats, and how it talks about food.

How the Lunch Played Out: Conversation, Not Competition

During the NPR encounter, the dynamic was less about a formal review and more about a candid exchange on taste, technique, and the social function of meals. The cafeteria’s plain surfaces and the steady clatter of trays underlined that, for Sontag, the most important meals reveal themselves in real life—not on the page alone. Critics often curate atmosphere around a dish; Sontag appears to curate the dish within its real-world ecology—the kitchen, the queue, the dining hall chatter, and the way a city eats together after a long week.

Implications for Washington’s Food Scene

What does this mean for Washington’s culinary map? If Sontag’s approach catches on, readers can expect: a more nuanced snapshot of neighborhood eateries, a sharper focus on value, and more attention to the labor behind every plate. The Washington Post’s credibility may hinge on whether critics can balance rigorous tasting with reverence for the spaces that feed communities outside the elite dining room. In NPR’s documentation, the early signals are promising: a critic who prioritizes context, conversation, and accessibility without sacrificing discernment.

Conclusion: A New Standard for Food Criticism

Elazar Sontag’s first public foray hints at a broader project: to redefine what it means to judge food in a metropolis that is a mosaic of neighborhoods, incomes, and ambitions. By embracing settings like a church cafeteria near Mt. Vernon Square, he challenges the field to consider who gets to sit at the table and what it takes to earn a fair, informed, and generous critique. If his early work is any guide, Washington’s appetite for thoughtful, citizen-centered criticism stands to grow—and so might the conversations about what a “great meal” really means in a diverse urban landscape.