Dogwoof Makes International Move on The Face of Power
International documentary powerhouse Dogwoof has acquired the international sales rights to The Face of Power, a revealing new portrait of Vladimir Putin from Emmy- and Grierson-winning filmmaker James Jones. The collaboration promises to bring a timely, critically sharp examination of power, image, and governance to audiences around the world as the geopolitical landscape continues to evolve.
Behind the Lens: James Jones’s Approach to a Controversial Figure
Jones is known for immersive, rigorously researched storytelling, with credits that include acclaimed projects like Chernobyl: The Lost Tapes. The Face of Power is described as a documentary that combines archival material, expert interviews, and newly filmed sequences to illuminate how Putin’s public persona has been engineered, sustained, and challenged over time. Rather than offering a conventional biographical sweep, the film invites viewers to interrogate the mechanisms of power—from media strategy to political theatre and decision-making in the corridors of authority.
Why This Film Belongs in the Global Market
Putin remains one of the world’s most discussed political figures, eliciting intense interest from international audiences, policymakers, and general viewers alike. The Face of Power intersects the appetite for timely geopolitical cinema with a rigorous documentary framework. Dogwoof’s decision to handle international sales signals confidence in the film’s ability to engage diverse markets—from theatrical distributors and broadcasters to streaming platforms seeking high-impact, award-worthy nonfiction. The project aligns with a growing trend in global documentary cinema that favors accessible, evidence-based narratives about contemporary power structures.
What Audiences Can Expect
Viewers can anticipate a documentary that prioritizes clarity and context. The Face of Power reportedly uses a careful mix of primary sources, on-camera testimonies, and historical context to map how political image-making interacts with real-world policy decisions. By focusing on the “face” as a vehicle for policy and perception, the film seeks to spark discussions about accountability, media influence, and the role of state power in everyday life. For festival programmers, broadcasters, and streaming executives, the film offers a compelling ticket for debate and reflection on modern governance.
Dogwoof’s Track Record and What It Means for the Release
Dogwoof has a storied history in bringing provocative nonfiction to global audiences. Their partnerships with filmmakers around the world have helped distribute documentaries that illuminate power dynamics, human stories, and underreported subjects with both nuance and urgency. With The Face of Power, Dogwoof aims to secure broad international exposure, including potential spotlight premieres at major documentary festivals and strategic partnerships with regional platforms. This move underscores the company’s continued commitment to serious, socially relevant cinema that travels well across borders.
Industry Implications and Next Steps
As the film garners international attention, festival programmers and buyers will be watching closely how The Face of Power balances editorial insight with storytelling impact. The film’s reception could influence future projects that tackle high-profile political figures and power systems through documentary inquiry. For James Jones, the project adds another chapter to a career defined by high-stakes research, ethical storytelling, and a willingness to challenge audiences with difficult questions. For Dogwoof, the deal reinforces its role as a bridge between ambitious nonfiction cinema and global markets.
Stay Tuned
Details about release dates, territories, and platform partnerships will emerge as the deal progresses. In the meantime, The Face of Power positions itself as a timely, essential entry in contemporary documentary cinema—one that invites viewers to scrutinize how power is seen, understood, and wielded in the modern world.
